Race and Capitalism in The Pawnbroker

The Liberal Studies Department at Montana Tech recently initiated a new research colloquium and I was invited to be a discussant for a talk by Professor Henry Gonshak on the figure of the Holocaust survivor, as depicted in Sidney Lumet’s 1964 film, The Pawnbroker. I don’t have any training in film studies, so I just prepared some remarks about the political and social context of the film, focusing in particular on Nazism and the Holocaust survivor as cultural signifiers. Henry speaks first and my response begins at 38:51.

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